
By 1890, the crinoline and bustle was fully abandoned, and skirts flared away naturally from the wearer’s tiny waist. It evolved into a bell shape, and were made to fit tighter around the hip area. Necklines were high, while sleeves of bodices initially peaked at the shoulders, but increased in size during 1894.
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| Fashion styles for women in the 1890s |
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| Rich and varied hats, Stanwood, Washington |
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| Young woman with herself |
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| Dancer in folk costume, Max Platz studio, Chicago |
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| Elegant woman, Harper, Kansas |
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| Fashionable French lady, Studio Americaine, Lyon |
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| Friends, Mendota, Illinois studio |
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| Lady in black, San Francisco, California |
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| Lady in white, San Francisco, California |
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| Lady with hair ornament. Identified on reverse as Edith May Smock, Fairfield, Iowa |
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| Norwegian girl, Trondhjem, Norway studio |
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| On the reverse “Annie Johnson”, G.H. Young studio, Chicago |
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| On the reverse “Mae Pearson”, Mercer, Pennsylvania |
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| Sisters, Nebraska City, Nebraska studio |
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| Studio portrait of young woman, Chicago, Illinois |
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| Swedish woman, Nosund, Sweden studio |
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| Swedish woman, Uddevalla, Sweden studio |
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| Woman in black, Omaha, Nebraska studio |
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| Woman in fancy dress, Singhi Studio, Binghamton, New York |
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| Woman in winter attire, Sunbeam Gallery, Peoria, Illinois |
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| Woman with glasses, Providence, Rhode Island studio |
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| Woman with straw hat, Winterset, Iowa studio |
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| Young woman in springtime, Sunbeam Gallery, Peoria, Illinois |






















